A Midsummer Nights Dream Essay Example for Free

A Midsummer Nights Dream Essay The most significant character in A Midsummer Night’s Dream is Puck who is quick-witted, fun-loving, lovely, humorous and mischievous. Puck also has an impulsive spirit, suggestive language and supernatural fancy. He appears to depict wild disparities, for instance, the unspoken evaluation of the elegant fairies and the coarse simple craftsmen. Puck is stylish, however, not as saccharine like fellow fairies. As a comedian, Puck displays some coarseness and thuds turns bottom into a fool just for enjoyment. Puck is charitable however he can perform nasty tricks. Despite the fact that majority of the elves are portrayed as ethereal and beautiful, Puck often appears as rather bizarre. One fairy states that Puck is regarded by some as some ‘hobgoblin’; this term connotes less glamour as compared to ‘fairy’. The arrogant weaver character, Nick Bottom’s comedy is amusingly overt. Being the key character within the sub-plot in which Thisbe and pyramids stories are produced by the craftsmen, Bottom controls fellow characters with some strange conviction in own capabilities as well as his humorous incompetence. Bottom regards himself as being ideal for each play part; however, he performs terribly and often makes grammatical and rhetorical speech mistakes. Bottom is humorous because he totally is not aware of his ridiculousness and hence his language is arrogant and. Such foolish pride climaxes following the transformation of Bottom’s skull into an ass’s. Following Titania’s falling in love with Bottom, Bottom Titania’s actions are not ordinary and that he deserves all this treatment. Bottom’s lack of awareness regarding the transformation of his head into an ass’s is similar to his failure to see the irrationality of the notion of Titania falling in love with him (http://www. sparknotes. com/shakespeare/msnd/themes. html). Helena the youthful woman madly smitten by Demetrius is probably the most prominent of the other actors apart from Bottom and Puck. Among Athenian devotees, Helena stands out as the individual who most considers love’s nature. This could be because as the play opens, Helena misses out on Hermia, Demetrius and Lysander’ love affair. She holds that Demetrius has some fantastic idea regarding Hermia’s prettiness that makes him not recognize Helena’s beauty. Although conscious of Demetrius’ shortcomings, and Being very faithful to him, Helena embarks on winning Demetrius’ love by informing him of Hermia and Lysander’s scheme to escape into the woods. Once inside the woods, the confusion brought in by the love portion bring out majority of Helena’s qualities. In comparison with fellow lovers, Helena is very uncertain regarding herself; she is overly concerned of her looks and she regards Lysander as scornful of her after he states that he loves her. The play removed audiences form the characters’ emotions so as to gain excitement form the afflictions and torments lovers go through. The play’s tone is very lighthearted to guarantee audiences that three will be some happy ending. Audiences may thus delight in the comedy and avoid being ensnared within the tension posed by uncertain eventualities. The subject of the complexity of love usually is analyzed through the concept of unbalanced love; romantic instances whereby an inequality or disparity obstructs harmonious relationships. A key example is the 4 youthful Athenians unbalanced love: Hermia and Lysander love each other; Helena adores Demetrius; plus Demetrius adores Hermia as opposed to Helena. This constitutes a basic numeric inequity, whereby 2 men adore a single woman thus one lady has excess lovers while the other has very few. The scheme is mainly geared towards internal equilibrium and thus a conventional happy conclusion will have been reached after the devotee’s tangle unravels into balanced pairings. Similarly, Oberon and Titania’s relationship signifies an imbalance since Oberon covets the Indian lad of Titania more that he loves Titania. Afterwards, Titania’s adoration of Bottom signifies some nature and appearance imbalance. Titania is graceful and beautiful, whereas Bottom is ugly and clumsy (http://www. sparknotes. com/shakespeare/msnd/themes. html). A Midsummer Night’s Dream employs magic to develop a strange world and also to exemplify love’s mystic power (signified by the love portion). Despite the fact that abuse of the supernatural leads to anarchy, like after Puck accidentally administers the love portion to the eyelids of Lysander, magic finally finishes the tension in the play by reinstating love’s balance among the 4 Athenian youngsters. Moreover, Puck’s ease of usage of magic to accomplish his desires, like in reshaping Bottom’s head into an ass’s and recreating Demetrius and Lysander’s voices, contrasts with the craftsmen’s gracefulness and laboriousness as they act their part. Dreams comprise a vital subject within A Midsummer Night’s Dream; the magical, bizarre events in the woods are related to dreams. Hyppolyta’s initial words signify dreams’ prevalence in the play; different other characters refer to dreams. Dreaming theme predominantly repeats itself when actors try to analyze bizarre occurrences that affect them. Bottom states that his inability to understand the supernatural occurrences affecting him is due to slumber. Shakespeare as well is concerned with dreams’ real workings; the occurrence of events with no explanation, lose of time’s usual flow sense, and the happening of the impractical. He attempts to reconstruct such an environment by fairy intervention within the magical woods. At the play’s conclusion, pluck broadens the dream theme to audiences, by informing them in case the play upsets them, they ought to bear in mind that this is nothing but some dream. Such an illusion sense plus delicate fragility proves vital to A Midsummer Night’s Dream’s atmosphere since it helps in making the play some fantastical encounter as opposed to heavy performance (http://www. sparknotes. com/shakespeare/msnd/themes. html). References SparkNotes: A midsummer night’s dream: themes, symbols, motifs. Retrieved June 2, 2009, from http://www. sparknotes. com/shakespeare/msnd/themes. html

The Life and Role of a Knight in The Middle Ages :: essays research papers

The Middle Ages - The Life and Role of a Knight A Knights life was a hard life, you could only become one in a few ways, one being the most common passing a life-time test. Knights were sworn to protect Churches, the weak and battle all evil. When a boy was eight years old, he was sent to the neighboring castle where he was trained as a page. The boy was usually the son of a knight or of a member of the aristocracy. He spent most of his time strengthening his body, wrestling and riding horses. He also learned how to fight with a spear and a sword. He practiced against a wooden dummy called a quintain. It was essentially a heavy sack or dummy in the form of a human. It was hung on a wooden pole along with a shield. The young page had to hit the shield in its centre. When hit, the whole structure would spin around and around. The page had to get away quickly without getting hit. The young man was also taught more civilized topics. He would be taught to read and write by a schoolmaster. He could also be taught some Latin and French. The lady of the castle taught the page to sing and dance and how to behave in the king?s court. At the age of fifteen or sixteen, a boy became a squire in service to a knight. His duties included dressing the knight in the morning, serving all of the knight?s meals, caring for the knight?s horse, and cleaning the knight?s armor and weapons. He followed the knight to tournaments and assisted his lord on the battlefield. A squire also prepared himself by learning how to handle a sword and lance while wearing forty pounds of armor and riding a horse. When he was about twenty, a squire could become a knight after proving himself worthy. A lord would agree to knight him in a dubbing ceremony. The night before the ceremony, the squire would dress in a white tunic and red robes. He would then fast and pray all night for the purification of his soul. The chaplain would bless the future knight's sword and then lay it on the chapel or church's altar. Before dawn, he took a bath to show that he was pure, and he dressed in his best clothes. When dawn came, the priest would hear the young man's confession, a Catholic contrition rite.

Codification: Stock and Fair Value Essay

Identify what authoritative literature addresses accounting for stock compensation plans. What are the objectives for the accounting for share based compensation? 718-10-10-1 The objective of accounting for transactions under share-based payment arrangements with employees is to recognize in the financial statements the employee services received in exchange for equity instruments issued or liabilities incurred and the related cost to the entity as those services are consumed. This Topic uses the terms compensation and payment in their broadest senses to refer to the consideration paid for employee services. 2. How many periods of EPS data must be presented? 260-10-45-7 EPS data shall be presented for all periods for which an income statement or summary of earnings is presented. If diluted EPSdata are reported for at least one period, they shall be reported for all periods presented, even if they are the same amounts as basicEPS. If basic and diluted EPS are the same amount, dual presentation can be accomplished in one line on the income statement. 3. If a company’s outstanding shares are increased through a stock split or stock dividend, how would that change the presentation of EPS data? 260-10-55-12 If the number of common shares outstanding increases as a result of a stock dividend or stock split (see Subtopic 505-20)or decreases as a result of a reverse stock split, the computations of basic and diluted EPS shall be adjusted retroactively for all periods presented to reflect that change in capital structure. If changes in common stock resulting from stock dividends, stock splits, or reversestock splits occur after the close of the period but before the financial statements are issued or are available to be issued (as discussed in Section 855-10-25), the per-share computations for those and any prior-period financial statements presented shall be based on the new number of shares. If per-share computations reflect such changes in the number of shares, that fact shall be disclosed. Chapter 17 codification assignment 1. When is the fair value of a security readily determinable? 820-10-15-5 The definition of readily determinable fair value indicates that an equity security would have a readily determinable fair value if any one of three conditions is met. One of those conditions is that sales prices or bid-and-asked quotations are currently available on asecurities exchange registered with the U. S. Securities and Exchange Commission (SEC) or in the over-the-counter market, provided that those prices or quotations for the over-the-counter market are publicly reported by the National Association of Securities Dealers Automated Quotations systems or by Pink Sheets LLC. The definition notes that restricted stock meets that definition if the restriction expires within one year. If an investment otherwise would have a readily determinable fair value, except that the investment has a restriction expiring in more than one year, the reporting entity shall not apply paragraphs 820-10-35-59 through 35-62 and 820-10-50-6A to the investment. 2. How is impairment of a security accounted for? 320-10-35-35 In periods after the recognition of an other-than-temporary impairment loss for debt securities, an entity shall account forthe other-than-temporarily impaired debt security as if the debt security had been purchased on the measurement date of the other-than-temporary impairment at an amortized cost basis equal to the previous amortized cost basis less the other-than-temporaryimpairment recognized in earnings. For debt securities for which other-than-temporary impairments were recognized in earnings, the difference between the new amortized cost basis and the cash flows expected to be collected shall be accreted in accordance with existing applicable guidance as interest income. An entity shall continue to estimate the present value of cash flows expected to be collected over the life of the debt security. For debt securities accounted for in accordance with Subtopic 325-40, an entity should look to that Subtopic to account for changes in cash flows expected to be collected. For all other debt securities, if upon subsequent evaluation, there is a significant increase in the cash flows expected to be collected or if actual cash flows are significantly greater than cash flows previously expected, such changes shall be accounted for as a prospective adjustment to the accretable yield in accordance with Subtopic 310-30 even if the debt security would not otherwise be within the scope of that Subtopic. Subsequent increases and decreases (if not an other-than-temporary impairment) in the fair value of available-for-sale securities shall be included in other comprehensive income. (This Section does not address when a holder of a debt security would place a debt security on nonaccrual status or how to subsequently report income on a nonaccrual debt security. ) 3. When would an investor stop applying the equity method in an investment? Are there any exceptions to this rule? 323-10-35-20 The investor ordinarily shall discontinue applying the equity method if the investment (and net advances) is reduced to zero and shall not provide for additional losses unless the investor has guaranteed obligations of the investee or is otherwise committed to provide further financial support for the investee.

The Museum Of Ancient Egyptian Art - 1427 Words

The Museum of Ancient Egyptian Art collections, including artifacts and objects relating to the different periods of ancient Egyptian history, starting from the prehistoric period until the Greek roman period. The museum maintains an information system consisting of all the records pertaining to the museum’s collection. The principle components of this system are as following: 1. Board of Trustees Records: The Board of Trustees Records reflect the activities of Museum of the Ancient Egyptian Art Board. The records basically are pertaining to the several Broad Presidents and the Broad Members †¢ Corporate documents such as the museum bylaws, leases, and agreements. †¢ Documents which contain the museum’s financial information. †¢ Correspondence which contains the communications to and from the board of Trustees other than the president. †¢ Minutes from the Board of Trustees, Executive Board, Senior Board, and various committees. They include resolutions, votes, correspondence, memos, and amendments to the museum’s bylaws. †¢ Trustee Manuals which contain copies of Museum of the Ancient Egyptian Art s mission, code of ethics, bylaws, collection policy, accession and deaccession policy, Museum’s acquisition policy, and strategic plan, as well as lists of museum’s staff, trustees, trustee committees. †¢ The director s annual reports presented by the director of the Museum of the Ancient Egyptian Art to the Board of Trustees outlining the various activities of the differentShow MoreRelatedThe Ancient Egyptian Art Experience At The Brooklyn Museum709 Words   |  3 PagesThe exhibit has many different planned programs, these programs consist of tours and group visits, Seton Hall class visits, and a series of lectures about the ancient Egyptian art, and an artist talk. Besides, one-day painting and drawing workshop for the kids. 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